Bas Van Able, Lucas Evers, Roel Klaassen, Peter Troxler: Open Design Now, why design cannot remain exclusive. BIS Publisher, Creative Commons (2011).
ISBN 978-90-6369-259-9
https://sonic-research.ch/wp-admin/edit.php
A HOUSE FULL OF MUSIC
Ralf Beil, Peter Kraut: A House Full of Music, Strategien in Musik und Kunst. Mathildenhöhe, Darmstadt (2012).
ISBN 978-3-7757-3318-2
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FREDERICK
The story of Frederick, who doesn’t collect grains and nuts for the winter like all the other mice, but instead collects rays of sunshine, colors and words – i.e. dreams and hope. What am I collecting?
Leo Lionni: Frederick. Beltz & Gelberg (2004).
ISBN 978-3-407-76007-4
NEUE MATERIALISMEN
STEIM
STEIM (STudio for Electro Instrumental Music) is a center for research and development of new musical instruments in the electronic performing arts, located in Amsterdam. Electronic music in STEIM’s context is always strongly related to the physical and direct actions of a musician. In this tradition, STEIM supports artists by residences, such as composers and performers, but also multimedia and video artists and assists them to develop setups which allow for improvisation and performance with individually designed technology.
+ Nicolas Collins + was the artistic director between 1992 and 1995.
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HOME MADE BIO ELECTRONIC ARTS
Dominik Landwehr, Verena Kuni: Home Made Bio Electronic Arts. Do-it-Yourself Mikroskope, Sensoren, Klangexperimente. Christoph Merian Verlag, Zürich.
ISBN 978-3-85616-567-3
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MEDIENTHEORIEN KOMPAKT
HANDMADE ELECTRONIC MUSIC
Nicolas Collins: Handmade Electronic Music, The Art Of Hardware Hacking. Routledge, New York (2020, 3. Edition).
ISBN 978-0-36-721010-6
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SUBSTRAT
In my aesthetic research, I rely on terms, theories, and references that are summarized here under this heading. They are my favorite books, films and general sources that give me the ground on which I build my open knowledge platform.
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AESTETISCHE FORSCHUNG
PATCH & TWEAK
ELEKTRONISCHE KLAENGE
DER PILZ AM ENDE DER WELT
Anna Lowenhaupt Tsing: Der Pilz am Ende der Welt. MSB Matthes & Seitz, Berlin (2022, 6. Auflage).
ISBN 978-3-95757-809-9
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DINGE DRUCKEN
Claire Warnier, Dries Verbruggen von Unfold, Sven Ehmann, Robert Klanten: Dinge Drucken, wie 3D-Drucken das Design verändert. Gestalten Verlag, Berlin (2014).
ISBN 978-3-89955-529-5
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TRANSCENDENT WAVES
THE MUSHROOM SPEAKS
MANIFEST DER KUENSTLERISCHEN FORSCHUNG
Silvia Henke, Dieter Mersch, Nicolaj Van Der Meulen, Thomas Strässle und Jörg Wiesel: Manifest der Künstlerischen Forschung, Eine Verteidigung gegen ihre Verfechter. Diaphanes, Zürich (2020).
ISBN 978-3-0358-0290-0
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SISTERS WITH TRANSISTORS
MAKERS
Chris Anderson: MAKERS, The New Industrial Revolution. Goodreads.
ISBN 978-0307720955
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BUSHCRAFT 101
Dave Canterbury: Bushcraft 101, Überleben in der Wildnis, Der ultimative Survival Praxisführer. Anaconda Verlag, München.
ISBN 978-3-7306-0440-3
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SOUND STUDIES
Holger Schulze: Sound Studies: Traditionen, Methoden, Desiderate. Transcript Verlag, Bielefeld (2008).
ISBN 978-3-89942-894-0
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KYMATIK
Hans Jenny: Kymatik, Wellen und Schwingungen mit ihrer Struktur und Dynamik. Basilius Presse AG, Basel (1972).
ISBN 3-85-560-031-7
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GENERATIVE GESTALTUNG
Benedikt Gross, Hartmut Bohnacker, Julia Laub, Claudius Lazzeroni: Generative Gestaltung, Entwerfen, Programmieren und Visualisieren mit Javascript in p5.js. Verlag Hermann Schmidt, Meinz (2018).
ISBN 978-3-87439-902-9
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TRAUMFAENGER
Marlo Morgan: Traumfänger, Die Reise einer Frau in die Welt der Aborigines. Goldmann, München (1994, 58. Auflage).
ISBN 978-3-442-43740-5
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JUICY GRAY
Bernhard Zünkeler: Joicy Gray, Plädoyer für einen Atlas der Kreativität. Brand Eins Medien AG, Hamburg (2022).
ISBN 978-3-949712-12-8
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